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|2017||2nd Asia Artist Awards||Asia Star Award, Actress||Bae Suzy||Won||#91;32 #93;|
|19th Mnet Asian Music Awards||Best OST||Bae Suzy – "I Love You Boy"||Nominated||#91;33 #93;|
|25th SBS Drama Awards||Top Excellence Award, Actor in a Wednesday–Thursday Drama||Lee Jong-suk||Won||#91;34 #93;|
|Top Excellence Award, Actress in a Wednesday–Thursday Drama||Bae Suzy||Won|
|Character of the Year||Lee Sang-yeob||Nominated|
|Excellence Award, Actor in a Wednesday–Thursday Drama||Won|
|Excellence Award, Actress in a Wednesday–Thursday Drama||Ko Sung-hee||Nominated|
|Best Supporting Actor||Kim Won-hae||Won|
|Best Supporting Actress||Hwang Young-hee||Nominated|
|Youth Acting Award||Nam Da-reum||Nominated|
|Best Couple||Lee Jong-suk amp; Bae Suzy||Won|
|2018||Korea First Brand Awards||Drama Category||While You Were Sleeping||Won||#91;35 #93;|
|54th Baeksang Arts Awards||Most Popular Actress||Bae Suzy||Won||#91;36 #93;|
|13th Seoul International Drama Awards||Top Excellence Award for Korean Drama||While You Were Sleeping||Won||#91;37 #93;|
|Outstanding Korean Actor||Lee Jong-suk||Nominated||#91;38 #93;|
|Outstanding Korean Actress||Bae Suzy||Nominated|
|Gradually, a reaction set in to the mixed classical and Gothic styles of mid-Victorian architecture and to the artificiality – and perceived ugliness - of machine made building parts and fittings. The result was the emergence of the Arts and Crafts Movement which created a new aesthetic approach in all fields of design based on a search for greater ‘truthfulness’ and simplicity in design. In domestic architecture it led to the rise of a new style frequently referred to as the ‘Old English Revival’. This can be traced to the building of the Red House at Bexley Heath, Kent, designed by Philip Webb (1831-1915) for William Morris in 1859. Rejecting machine made decoration, Morris and his circle of friends made some of the fittings - including the stained glass and tiles - themselves. The house was built of red brick with a high pitched, red tiled roof and incorporated such romantic features as a turret, oriel windows and gables. It marked a return to the vernacular tradition of building and became, in the words of John Cloag, ‘the progenitor of a new school of domestic architecture’. Much imitated, it became a dominant influence on the so-called ‘stock broker belt’ housing – large detached houses built mainly in southern commuter villages like Gerrards Cross, Buckinghamshire up to 1939.|
In the 1890s, a new interpretation of the Old English Revival emerged through the work of C.F.A. Voysey (1857-1941) and Sir Edwin Lutyens (1869-1944). In some of his country houses, Lutyens combined classical style with the use of local materials as at Heathcote, Yorkshire. The houses of Voysey and his followers built in the early 1900s for wealthy clients struck a modern look with their low ceilinged rooms, horizontal windows, roofs sweeping almost down to ground level and white rough cast or pebble dash walls, although Voysey always saw himself as an architect working firmly within the traditions of English vernacular architecture; his use of pebble dash, for example, came from the traditional harling of Scotland and Cumbria. The photo on the right shows The White House by Dare Bryan after C. F. A. Voysey, Leigh Woods, N. Somerset, 1901.
what you see there will make you feel very depressed....